Without any announce I once saw in Sly's
filmography “Backtrace” which expecting time willn't so long. Knowledge about
this film, as made for VOD, was guiding me only in thoughts that Sylvestre
Stallone isn’t against to mar his great filmography since “Guardians of the
Galaxy-2”. I didn't expect unbelievable, but gave a chance.
Introduction scene opened to me understanding
of how it will end and I was right. Cinematographer made a good work, every
actor is well in his performance, director not just a qualified, he has a not
bad potential (I even liked his Officer Down.), but screenplay is an ordering
work. I watched only for reason to sure that mister Stallone allowed to act in
this type of cinema. Narration of Backtrace haven’t any common with real world.
This screenplay had a possibility to be a good story, but didn’t. Characters
stay in their frames. Matthew Modine’s bank robber didn’t get motives for
escape and police in represent of Sylvester Stallone’s hero and few extras in
most part for view when this weak investigation could be solved in short terms
on any stage. Even the using of stamps haven’t logical sense. For example, in
one episode couple of wrong men makes some shootout in wilderness outskirt and
have all preferences to check that everybody are dead, but one of them screams “Get
out here!” and other one didn’t arrive to lying on the ground main hero. Not
only there, but every time director Brian A. Miller fails in making of suspense.
As I wrote, he isn’t bad in directing, but he has scenes with built primitive
and absolutely losing in directing Miller picks in the last action act where
sometimes I was making a back rewind that understand what happened in this disgusting
collaboration of directing and editing.
Sometimes author of this screenplay Mike
Maples was harming my ear by phrases, but I didn’t feel awkward myself. It was
a nothing special. As same reputation come from movies produced by Emmett/Furla/Oasis
Films (since August calls MoviePass Films.), which very rare has an excellent.
Backtrace isn’t out the line.
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