Serenity

Steven Knight brought me to watch this film. A man who wrote a spectacular Eastern Promises and the same Redemption, which he also directed. His new work Serenity promised to be a neo-noir story happened on far island. If well know this genre and it films, trailers could raise a feel about predictability, but a truth can know only when you’ll watch it.

In Serenity can find elements of neo-noir and hitchcockian, but I’m not consider film to any of these genres. Steven Knight is talking about it by conversations of his written characters and sometimes he successfully is showing it in directing. However, he didn’t reach this ambience, only tried. Knight had a good cinematographer, but he always failed when wanted to give a feel of neo-noir. These moments were awkward in directing. When I was watching Serenity, I couldn’t recognize Knight of his previous works. This is because he hadn’t balance in directing and due to a built on patterns a simplistic plot.

What did really Knight want with his screenplay? Maybe his aim was to write a predictable story and surprise audience in the ending twist or he didn’t think that the story predictable? If you want to guess this twist, you must turn off a logic. It goes against sense of the plot and it would be better about saddened woman, which in really hides her motifs.

Matthew McConaughey, who played a titular role, always great despite how is inferior a film as can see it in Serenity. Acting of Anne Hathaway doesn’t fit for a femme fatale and for her heroine with openly fake blonde hair who she really is, because it always went over. In whole performances, I didn’t like only two guys, who played wealthy men in introduction, which were showing absolutely acting absence on backstage and Djimon Hounsou, who sometimes was making a good, but I didn’t see his character and partially it is from Knight’s screenplay.

I don’t like to give advices, because it’s absolutely impolite, but when you something going to make without knowledge of it, so it will probably be wrong. I would recommend to Steven Knight learn better about video games.

The Conquering by Consoles of Three-Dimensional Space.

In the nineties, I had an opportunity to play on Nintendo Entertainment System and I also had a personal computer from the Belorussian company NTT, where Wolfenstein 3D was from the games, which were my first devices. Later, some circumstances allowed to contemplate Amiga, and my technique was improving, as appeared a new and most powerful Pentium 4. I then naturally allotted that games on a personal computer and games on consoles are different, and such as Command & Conquer: Renegade or quest genre can only be on machines with a keyboard and mouse. However, after a couple of years, games intended foremost for consoles began to appear on a personal computer. Playing in them, was feeling a retard and, above all, alienity. Gradually began to decrease the number of exclusives for a personal computer. In 2004, I spent three amazing weeks in England, where besides of the experienced rapture and from where I didn’t want to leave, I also discovered Sony PlayStation 2 console. Before that, on this device format, I mostly dealt with platform and run and gun games. Some of them I have seen on the computer about what I couldn’t imagine before, but still I will write with meaningfulness that it is logical to find them on a technique with the best features and above of all creating these games. In Brighton, where I was then, I first time played in various games in three-dimensional space. In them, I could feel that for such platform can match as played The Lords of the Rings: The Two Towers and The Lords of the Rings are having a suitable for the format top view and where you just need to swing a sword as confides for hack and slash. Not to say that I found something unusual in WWE Smackdown vs. Raw, but it, as rank games of the fighting genre, is suitable for the console because it doesn’t have complicated elements and doesn’t require to use many buttons. The embodiment of games with third-person characters, such as serious genres as action, I saw in the performances Headhunter, demo version  of James Bond 007: Everything or Nothing and dived into the open world of the noised The Getaway, and also played in RPG game, whose name I didn’t remember, because nothing collocate to stay there, where is unthinkable to embody this, as in other games, where identified common elements in the presence of inconvenient movement due to the uncomfortable camera view, hard manual aiming, where the more appropriate automatic shows the limited possibilities and deprives much fun in shooting. Moreover, it was impossible to save the game on consoles at any time, only at a certain point or at the end of level. At the same time on Sony PlayStation 2 I tried to play Max Payne and Red Faction, which I completed on PC, but all these inconveniences were depriving that satisfaction, where only was showing that how impossible to play such games on the console and you willn’t feel the gameplay on it, which I’ve got on the computer. There was a period when games that were unsuitable for the format began to appear on consoles and many developers started to focus on them in creating of large projects.

A personal computer has always cost a substantial amount even with modest requirements, and a device with high performance still costs four-sign digit, as in my case, in 2015, for my only custom-made system unit, I gave a little more than $1,000 and moreover it was collected to me for free, which isn’t so expensive today anymore. In the eighties, Commodore 64 at a starting price in 1982 cost $595, which now stands at $1,606, but then there was an opportunity to purchase it for $400 until 1985, which, if counted for today, will result in almost $945. Then it was already possible for 1295 dollars to buy the Commodore Amiga (almost 3,059 dollars.) and also 300 dollars (almost 709 dollars.) cost a monitor. The year before, in 1984, appeared the perfect at that time machine – Apple Macintosh. Famous advertising promised that 1984 willn’t be the same as in the eponymous novel by George Orwell. Apple Macintosh had a built-in screen, graphical user interface (the desktop.) and from there it became natural for the computer to use a mouse. For this was necessary to give 2,495 dollars, or, as now, it would be 6,146 dollars. What in the nineties and zeroes years then cost hundreds of dollars to improve your computer to launch a specific game! The acquisition of the console didn’t carry a costly amount and it had a direct purpose for games, when buy a personal computer for their sake – not everyone could afford it. Atari 2600 appeared in 1977 and cost $199, which now turns out to be $858, and over time, as usual in trade are making, it began to fall in price. For fifteen years of existence, it has sold 30 million units. Nintendo Entertainment System, which has been in activity for twenty years, became available for purchase in 1983 for $179 ($455) and for all time 61.91 million units were sold. Devices that didn’t require upgrades and hundreds of dollars, but only need to buy cartridges with games. In the eighties, in the case of Atari there were from 20 to 40 dollars, and for NES from 40 to 80 dollars. About data on quantities of computers sold, the numbers are differ, and in the case of Apple Macintosh, I didn’t find even a hint. The Guinness Book of World Records states that Commodore 64 is the best-selling personal computer and the number of copies exceeded 17 million units, and that they refer to information from the company itself. The founder of Commodore Jack Tramiel in 2007 often called the number “from 22 to 30 million,” as talked about “22 million” in his book “The Home Computer Wars: An Insider’s Account of Commodore and Jack Tramiel” (1984) his assistant Michael Tomczyk. Commodore 64 stayed on sale from 1982 to 1994. Even relying on these information and even without them can see how consoles much more in demand. In the Commodore Amiga series (1985–1996), the leading model was Commodore Amiga 500 (1987–1991) sold between 4 and 6 million devices. Not big numbers, when at that time, not even the best consoles were usually sold more, such as, for example, Master System by Sega in 1986 sold 10 million units in six years and in the nominal it cost $200 ($456). After two years, the company released the successful Sega Genesis sold for nine years 30.75 million units, where launched two years later in the Europe at an initial price was in 189.99 pounds sterling. Commodore Amiga 500 cost $699 ($1,564) when Nintendo sold 49.10 million copies of Super Nintendo Entertainment System (1990-2003) for an introductory price of $199 (almost $394.), Nintendo 64 (1996-2002) in the amount of 32.93 million devices at 199.99 dollars (almost 322 dollars - Billy wasn’t bad in economics.) and they were first, who released the successful handheld game console Game Boy (1989-2003) for a price 89.95 dollars (186.5 dollars.). I didn’t play it myself, but happened to see how others do it. It was the original black and white version (in 1998, Game Boy Color appeared.), whose technical capabilities logically retarded behind even the consoles. Line from black and white to color versions sold in 118.69 million copies.

The personal computer demonstrates aristocratic qualities in everything, both in its possibilities and in its price. Games released on them reached sales in quantities of tens of thousands, and hundreds of thousands were considered success when only rare ones crossed a million. Imagine the effect that Doom brought in 1993 with 2.9 million floppy disks sold. Not a record achievement, but few have surpassed this number before: educational game Where in the World Carmen Sandiego? (1985) and Populous (1989) in 4 million and almost three months before Doom was released Myst (1993) composed in selling 6 million units. On the computers of the eighties, only three games reached the million: Thexder (1985) and Hyldide (1984) exactly one million each, when the most successful on Commodore 64 was The Last Ninja (1987) in 2 million copies, and one of its authors, Mark Cale talks about sales exceeding 4 million. In consoles, as here can easily understand, the best significates start with a million. The year 1993 also marked also of the beginning of the fifth console era. Prior to this, in the fourth generation, came out games in three-dimensional space, but it was from here appeared all attempts to write-in at that what can work and is suitable only on PC. As if in commercially it didn’t speak about the benefits, but it’s a pity that commonsense didn’t prevail and would only concoct what fits for the format. I am an adversary, but if developers were taken for contradictory, they would make these games only for consoles, but the fact that this retard later swallowed the personal computer and as a result it plunged the whole gaming industry. Tomb Raider series has created a disastrous reputation that adventure games should exactly look so uncomfortable. First released on the computers Indiana Jones and the Infernal Machine in November 1999 managed to surpass Lara Croft in this dubious achievement.  When mastering the control, you are amazed in the absence of the mouse and trying to curb even your own settings, which reacts on the "space" only as cancellation and don’t want to be fixed as the "jump button". Here you can’t sarcastically allow that developers wanted to make a game for consoles, but accidentally adapted for PC. Why do the Japanese sometimes allow to step out of their closed nature and port Resident Evil games, when can do it separately on the PC without frozen awry camera views, and so that the character stays back to you and is able to move and shake his head in any direction, as he can easily aim and especially choose to where exactly. Even with such limited technical capabilities, the consoles can already see from the same Tomb Raider that it could be more convenient to do. It’s impresses that such a curvature was used by many developers as a sample. The examples I mentioned first appeared on PlayStation (in the cases of Tomb Raider was a few weeks earlier on Sega Saturn, and on PC it was released simultaneously with PlayStation version, but all these nuances, of course, are not significant.), and then ported to the personal computer when Nintendo 64 games didn’t go beyond their console. In 1994, Sony first time involved in the console race and since then has almost always take a leader’s positions. Their Sony PlayStation console came out with an initial price in $299 ($497), and a total were sold 102.49 million units. If so make a game for PC, then only separately and not to port, such as Medal of Honor destined for PlayStation didn’t brought out it’s own horror beyond of own limits, and for the personal computer was released a separate and exclusively for it excellent Medal of Honor: Allied Assault. The tactical shooter of those genres that have no place on consoles, from which started as the best for me Tom Clancy’s Ghost Recon. The second part was released on various consoles. The appearance on the personal computer was planning, but Ubisoft decided to cancel the development in preference of Tom Clancy’s Ghost Recon: Advanced Warfighter, which was done separately for each console, while the Swedish studio Grin specially developed the version for computers. However, all of these are separate cases. On the computer not only sales aren’t high, as on consoles, but also a decline in interest in it was also due to illegal copying in the entered in action disks, which also reduced the profit for developers. There was a struggle against piracy and various anti-hacking programs were used, as it further turned into digital form and still continues, but this phenomenon isn’t as zealous and has a worthy rebuff as Denuvo protection. Getting acquainted with the games that began to release on consoles and ported to PC, then, using the example of Assassin’s Creed, it leads to a thought that if the game originally was making for the latter, then I’d hardly have criticized the control each time. The games that started on the personal computer, as studios themselves, were lost when a new part or project began to release simultaneously with consoles. I can write for a long time my admiration about the best western Call of Juarez, but I will take a separate one from all the excitement. Duels. It were arranged in a way that, according to a certain signal, as a clock chiming, it was necessary to lower the mouse down and then immediately quick slide up and aim appeared sight at the enemy in order to be his first. The console couldn’t convey such a feeling, which is above all veraciously. I predispose a sympathy to duels in the following parts of the series, but it don’t cause those passions. Because they were made for platforms where for this no place. I only compared by the video with gun fighting in Red Dead Redemption and, probably, my hair became as prickly as the hedgehog has from such an arcade performance. Shouldn’t expect others from Rockstar Games. My example of Mafia and Grand Theft Auto, which I have given more than once, is suitable for everything in comparison to the perfection and sophistication of the personal computer with swung to the depth illiterate plebeian-consoles. I’m not for nothing note that the latter is characterized a cinema’s second-rate, so such a definition is applied to them, as it turns out, also applies to the scenarios of their games. This is same difference is suitable for the examples I mentioned. At the moment, from exclusives on PC come out an incredibly simplistic games, as all sorts of arcades, which, must to be stay on consoles. In their current statistics on box-office, high positions do not occupy large-scale projects, it makes games don’t require huge resources and are designed to play on the network or a certain circle of people who are haven’t interest in good dramatic story.

In the industry was happened a merging in the games between the personal computer and consoles, where it remains that the best need to adapt to the masses. Since I expressed optimism in 2014 on the return of the leadership of the PC, the projects mentioned above, which I have entrusted, still not yet release and stays in development status. Though, from that time, I began with some share of skepticism relate to Star Citizen (or, to be exact, to only interesting a single game Squadron 42.) for the part of the narration and implementation of ideas in the gameplay after I got acquainted with other games of Chris Roberts. But he should be thanked for the fact that he makes games suitable exclusively for the personal computer and promotes it, as his company Cloud Imperium Games consist in the Open Gaming Alliance assembly (formerly called PC Gaming Alliance.), Where companies are engaged in promoting games on the personal computer. Another member of unification Ubisoft, it's head Yves Gillemot no one time expressed a thought that the next generation of consoles will be the last, since then the need for good hardware will gone and broadcast of games will take the place of consoles, and hence, he counts, will rise a production of high-quality games. Guillemot's words have a grounding, but I’m not inclined to agree with something. I know that large publishers need for developers and studios (as well for them to aspire to an independent position.) provide opportunities to make exclusive projects for the computer and the most important thing is to promote this platform.

The Video Gaming Industry: Degradation.

This article I wrote in 2014 and made some additions in 2017.

                                                                      Press the button — will get a result,
                                                                      and your dream come true.
                                                                      Press the button, but why you're not happy?
                                                                      You have nothing more to aspire for.
                           The prophetic song to the video gaming industry by «Technologiya» band                                   

... Shot five guards from a 9mm Beretta on which were spent nine bullets I reloaded. Somebody detected a corpse of gatekeeper, which was strangled from a garrote personally by myself. And all efforts spent on seemed for me successful lurk of him became vain. When I was going to liquidate him, I had to take out the garrote, calmly sneak up so that he wouldn’t turn around and not make a noise, while at the same time I was stretching my elimination weapon. Calculated a moment, I threw the garrote and strangled him. Now I was running away and shooting myself with the entire security staff of the hotel. In the 9mm Beretta left a clip with six bullets. The missing nine went to those five guards. The chances of survival – minimal ... It happened at the beginning of the 00s.    

... Near to me was standing a back to me a terrorist. I haven’t squatted for a long time. Just came up and even made some noise on what the Arab looked back and he even saw me in all flesh, but when I went behind of the corner of the house after a few seconds he forgot about my existence and continued to patrol again his territory. Approaching to him, I got into his visibility two more times, but was hiding behind for some object, and he only forgot about me. Going up close and going to finish him, I felt some force that had owned my body, which had got off a spectacular combat technique over a terrorist. The villain was laying. My goal was to seize his machine gun and out of boredom to settle a genocide of local scale. I have no worry for myself. It happens to me for the last many years. Previously, I was looking for my goal by myself, now all these modern technologies point the way to follow for me.

Just right now, you read the reconstruction of computer games that were before and now. In the video gaming industry happened a total degradation. Having all the modern development potential ... it’s not using. Ten years ago, computer games were developing primarily for PCs, if not only for them. Don’t need to tell about the perfection of the computer, but today the developers prefer to put the consoles in the first place, which are technically completely weak and the going progress doesn’t gleam even on the horizon for them. The best example for my article serves Hitman and Mafia series.
Hitman: Codename 47 was released in November 2000 on exclusively for PC. The first game in the genre of social stealth, where the protagonist changes into clothes of dead enemies, drags corpses (for the first time, ragdoll physics!), great eleborated AI, which detecting corpses and raising alarm, extensive locations, not to mention about the fact that your actions influence on the gameplay.

Mafia came out at the end of August 2002, and it went around GTA 3 not only because there are no arcade elements in the form of find a star and rid from policemen, you must really hide from them. Moreover, the reason for the interest of the police authorities could be your transit through the red light. Above of all the computer Mafia from the console GTA 3 was excellent in the physics of cars, the extensive location of the city in which you can lost, as well as such little things as “unfinished clips”, which is also have Hitman: Codename 47.
In both examples, there is a common feature that the hero carries with him a certain amount of weapons that can hide in his suit. In Hitman: Codename 47 something, for logical reason, can’t be hidden as various shotguns and assault rifles. In Hitman: Absolution, released in 2012, Agent 47 could hide anything in the jacket and even among all he found a place for fire axe that (as all other weapons and objects.) was used close by pressing a button. Enough in the game of script-actions. Came to the right place and an event occurred, conceived by the plot. Mafia II appeared in 2010 and was also marked by a variety of QTE moments. Locations in both games are limited and are similar in area to a barn. About the “unfinished clips” - this is not today.

About the size of locations, I will give an example of the Elder Scrolls series. On August 31, 1996, only on the computer was released The Elder Scrolls II: Daggerfall with the open world called the Tamriel Empire contained regions of High Rock, Hammerfell, Morrowind, Black Marsh, Elsweyr, Skyrim, Valenwood, Summerset Isle, Cyrodiil. The total area contains 161,600 square kilometers. When the follow-up sequels The Elder Scrolls III: Morrowind (Microsoft Windows and Xbox.), released in 2002, with an open world of 24 square kilometers, The Elder Scrolls IV: Oblivion (Microsoft Windows, Xbox 360, PlayStation 3.) released in 2006, had ​​almost 56.97 square kilometers area, The Elder Scrolls V: Skyrim (Microsoft Windows, Xbox 360, PlayStation 3.) released in 2011 with ​​37 square kilometers area. If Daggerfall has 15,000 cities, villages, dungeons with more than 750,000 NPCs (non-player characters.), in Morrowind and Oblivion are only over 1000. As logically you understood, continues of Daggerfall in the game world represent only one of Tamriel’s regions. Someone assumes or knows that in The Elder Scrolls II was using a random and the characters in the continuations are more elaborated, but I will answer, that the developers don’t hide it. But could you answer on the question "Is it possible now to create on the new consoles a likeness of The Elder Scrolls II: Daggerfall?". Don’t torture yourselves - no! Out in 2013, ARMA 3 has an open world of 270 square kilometers, and this game was released exclusively for a personal computer.

IO Interactive, who developed Hitman: Absolution, confessed that they were trying to please to the gamers and casual gamers, as well as the fact that they would like to realize a lot of their ideas, but the weaknesses of the consoles didn’t afford them to make all of it into truth. Race for two hares. Casuals - another reason for the degradation of the gaming industry. People who don’t like and can’t play hard games. Them need to show everything, simplify and spare. For them, as for Dorothy, highlight the road for lest not to get lost. Switch the aim to the red color indicates that you will hit the enemy. Let to these people play Hidden & Dangerous 2, and they willn’t be able to pass even the training level. Because you need to look for places for training by yourself and there are no permanent checkpoints.

Constantly pressing a button. Clicked, and of all carcass you stuck to a blockage or made some action calling mentioned QTE (Quick Time Event.). You press and watch how your hero does all the work for you. In Space Quest IV: Roger Wilco and The Time Rippers, the protagonist Roger Wilco gets into the future and in a one space shopping center, he is looking for one video game in the thematic store. Among the things that lie there, you can find “Boom” (parody on Loom.), where the description ends with the phrase “Just insert a disc and watch it explode!” Computer games are the best form to tell a story. You see it, unlike a book. It doesn’t limited in time for narrating in contrast to the film. When playing, you, as an actor, enter the role of the character given by you (with condition, if the story well elaborated.). However, such things as QTE, the feeling of the intrusion into the character disappears. By this feeling of limitation, you deprived of the simple opportunity to jump. Approaching each time to the obstacle - you need to press the button. It was unpleasant to fall and fly off a cliff, as happened before, but today, developers are taking care of the players and not letting him to fall. Such nuance deprives a possibility to penetrate of the game.

Before was happened the consoling and the casualing, in the gaming industry there were a series of revolutions that didn’t further develop. In 1997 released The Last Express. Game of the quest genre. It’s unique thanks to lead developer Jordan Mechner, who for me makes a revolution every time when releases a game. Usually in the quest any character (not the one for which you play.) all the time stands in it’s own place and will move only after you commit an action. In The Last Express, no one will wait you. Didn’t solve the issue with the corpse - your trip is over. The train moves in real time, just as every character that played by real actor and was transferred to the game by the help of rotoscoping. I have never set graphics as a priority of importance, but on The Last Express is nice to watch today. Remember and try to play Crytek games as Far Cry (2004) or Crysis (2007). In the years of release, they had only admire to the spectacular graphics, but install now, as I did, and what will you catch on? I wasn’t impressed to their games even during the years of release due to what is calls the plot, ridiculous gameplay and bad AI. What about the graphics? Only this one? Today it’s obsoleted. As films of Bay and Emmerich. In The Last Express, each character is endowed with its own AI. At that time, as same now, it were a labour-consuming job, but agree, that watch on the current quests with waiting characters, as well as solution hints is unbearable, and for me is offensive.

From the evolution in the quest, I recall Largo Winch: Empire Under Threat being for me deserving the title of a masterpiece. The game is unique not only because it is a three-dimensional quest, but also because it successfully combines the combat part and computer hacking. It's also nice for me to play such quest where your hero can be killed. The developers very successful not only to mix all this, but also told an amazing story.
For some reason, the Red Faction series is not as thundering as it is worthy. In 2002, it was first released on the PlayStation 2 and only six months later on Microsoft Windows. The game was pointed in Geo-Mod engine that allowed to destroy everything around. Having made a shot from a bazooka, you willn’t see a black spot, as it happens at best, it will a huge hole in the wall. It can continue to expand. The series of games is also famous for its magnificent weapon arsenal, which personally made a strong impression on me. For example, “Magnetic gun” from the last Red Faction: Armageddon, as from the name has two magnets “+” and “-“. Shooting them at different points, every time I admired how happens contiguity between them of all that wherein dragging objects and parts of buildings. After that, I was amazed that the game didn’t succeed and THQ not only suspended the series, but later forced to file for bankruptcy. Now the series rights belongs to some Nordic Games and it’s known only that the publisher wants the game to be made by the same Volition studio for what they replied that willn’t soon be ready to continue the series. If at the beginning of the 2000s it was possible to create such destructions on consoles, now I amazingly perceive that no one is implementing total destructibility. Today this is only available in ARMA 3. There certainly isn’t perfect, but this is a progress on the background of everything else. How would EA not boast of a crumbling skyscraper, whose action is actually scripted, but this only proves that it could be done. Disappointing looking in Far Cry 3, when capturing the base, you shoot an RPG, and see only flying metal tin constructions.

In coming Tom Clancy's Rainbow Six: Siege, where the developers promise to make AI that won't stick out any part of the body giving by this to your character the opportunity to fetch down. It’s overdue time to implement, very long time to do so. No, it was starting with this. In the first half of the 2000s, the intellect was superior to the present. Especially if you compare games of stealth genre. In Tom Clancy’s Splinter Cell: Chaos Theory (2005), the enemy will pay attention to the opened door, in Dishonored (2012), it’s enough to hide from the eyes by closing the door in front of the nose. About you forget. In Call of Juarez (2006) the detecting was the end of the game, but now the opponents will be a little indignant, but then return to their usual patrol of the territory.
Games as Operation Flashpoint, Ghost Recon, Rainbow Six, Project IGI, SWAT, representatives of tactical shooting are a genre for a special niche of gamers in which they prefer not to go right through – pass thoughtfully. Think through all the details of the plan. These are games where you can die from one bullet, there is no health scale in them, and after being wounded, at best, you can go limping (it depends on where the bullet hit.). In the latest incarnations (with the exception of Project IGI.) of these games, there is no such complexity and made in them easiness is oriented for masses demand. Adding health regeneration to Operation Flashpoint 2 or a health sensor in SWAT 4, the absence of planning map and the addition of dynamics and special effects, and in some games artificial intelligence has deteriorated – large publishers prefer this approach.
In Hitman: Codename 47 on the enemy remained marks of bullets, you could see your reflection in the mirror, the corpses didn’t disappear, as a blood – with today's possibilities, even deprives in this. Needless to say, the disappearance of corpses wasn’t quoted since Wolfenstein 3D, and the Nazis could manually open the doors, not by the power of thought. To where disappeared the opportunity to see how the hero's hand touches the lever?

How much can realize! As always, the hope for veterans who got the opportunity to release their games thanks to popular donations, as Kickstarter site. Only still not a decent game has appeared. Either the small requested funding, as in Takedown: Red Saber, or the uselessness of the remake, as in Leisure Suit Larry: Reloaded, or the technical solidification, as in Carmageddon: Reincarnation, or the plot isn’t good and the puzzles have no logic, as in Tesla Effect: A Tex Murphy Adventure. Despite of the fact that none of the games made by crowdfunding justified me, but there were left those from which expect that them to be one of those who will keep the video gaming industry. I am waiting the classic quest from SpaceVenture, as well as from the Satellite Reign, a worthy successor of Syndicate Wars game, and also still not release Wasteland 2 popularized popular crowdfunding to developers of computer games and Kickstarter site. By the way, the working materials are impressive. And I willn’t forget to mention the space simulator with elements of commerce Elite: Dangerous.
Among of independent publishers are being developed huge projects, as the author of Mafia games, Daniel Vavra, left from the control of the large studio Take-Two Interactive because of disagreements over Mafia II and went into free creativity together with former developers of Bohemia Interactive (created by Operation Flashpoint, two additions and "spiritual successor" ARMA series.) are doing Kingdom Come: Deliverance. This RPG based on real historical events. The developers want to make a veracious world, with its naturally responsive characters (and not similar to GTA V the people don’t react in any way that the hero walks with a gun.), various dialogues, reliable archery, in battles with swords will get the choise to where strike and how to reflect.
I will call the main hope of the gaming industry, which originally demanded $500,000 at Kickstarter, but left with $2,134,374 and then opened it’s own donation fund on own website, which is now close to $52,000,000. Know it, Star Citizen. The game is developing for operating systems Windows and Linux. Moreover, the game nobody will mercy. If in the network game your character was killed, then create a new one. For me, all this sounds incredible, that such a game has collected a record amount of crowdfunding in anything. Take a look at the genre, “space simulator and trade” (with elements of FPS.). Certainly not a massive genre. Have a hope for such games and believe that everything isn’t bad in the video gaming industry. There are people who want just such serious games, but the video game industry doesn’t evolve. It hasn’t yet reached the stage when you make a game for a rating, as in cinema, but considering the huge budgets for what that create a high-quality computer game, so this can be.

High-quality projects are ruining not only high costs, but also mobile games and free-to-play. They are cheaper than expensive AAA games and still partly free. Such games also push the video gaming industry back into the past, as well as the incomprehensible admiration of the technically ancient Nintendo DS handheld console. On mobile games says how great the graphics are there, how much memory and the number of cores they have. They forget that they admired such requirements long ago on a personal computer. Mobile games themselves and free-to-play are built primitively, and speaking of the latter, RPG-elements are usually present in them, as level upgrading and acquiring new staff. Initially, everything is free, but when at some point you need something more abruptly, so then you already have to pay real money. Developer John Romero recently said that free-to-play have been killed many AAA studios. A couple of years ago I read predictions about the disadvantages in creating such projects and that they can disappear. Of course, there will be such games, but will not such ones disappear, as Star Citizen promises to us? Technical admiration for games on a mobile phone in response gives me to phrase “exult to degradation”.
Studying canceled games you come to the sad conclusion that the gaming industry drives by commercial gain, not art. Many creative men must demand money from people that release their game. I can go deeper into the education of society and the fact that it doesn’t accept truly genius games, but some large companies be themselves haven’t given (as same now.) to certain independent developers to grow. From them, the video game industry has lost a lot of decent projects. I consider this a “crime against art” that should be prosecuted by the moral police.
In the video gaming industry there are studios that produce not only original, but also interesting games. And the most worthwhile attention is produced in the Europe. Because all troubles that have gone in favor to the degradation of the video gaming industry emanated from American and Japanese corporations.