Amateur shooting.

Uncertain release date “summer” of Wrath: Aeon of Ruin was optioned on believable February 25 with appeared a new update, which added monster, weapon, gun and didn’t change feelings.

I was playing from a first to a third difficulties differ in enhancing of quantity of creatures, own vulnerability and dislike to the game. A new map “The Priory” savvy designed in structure and has nicely interiors, what similar I’ve seen in other levels, but that can’t influence on basic flaws. Shooting with monstrous hostiles remind sudden appearance of a man in gorilla mask behind you to whom you have one reaction – he fed up by his unfunny and primitive action. Whole gameplay built on teleporting of beasts after pulling of leverage, picking up of important subject and always without reason. In further, as were in previous updates, developers leave player in closed premises with pile of long-killing enemy or just make large throws. Everything as known and evokes usual disgust to Wrath: Aeon of Ruin. Still on simple enemy is possible spend much bullets due of unfixed a damage system and a straight shot can accept as missed, when hostiles can precisely hit player despite on ballistic impossibility. Still little changes to dodge from a monster with a shotgun, which must have precast abilities, in the third difficulty. Turned on in menu a function of automatic switch of empty weapon will be always on blade (once it took a big pack of health.). F3+mouse click type of saved game is one load function works slowly in return and doesn’t act in time of coming death. You must wait some seconds for allowance to press on saving, what makes more for enhancing of dislike, which I had to far situated enemy against whom effective works only a new fireball weapon, but it appears in the end. Before of it, I was moving away. Wrath: Aeon of Ruin doesn’t attract to stay longer.

I was thinking about Quake, but then there were a lot of enthusiasts with creative talents, who hadn’t nowadays possibilities and did games from nothing. KillPixel are developers, who many years worked with Quake engine and created many maps by it. But they are staying amateurs. Wrath: Aeon of Ruin changed one detail in my opinion – it looks that, more than presumably, I willn’t play in full version.

To arriving Cash Truck.

In January, 15, if nothing will change, on cinema screens will appear Cash Truck – a film, which reunites a great actor, martial arts master and just a man Jason Statham and director Guy Ritchie about whose filmography I’m going to make overview and finish what I’m thinking on upcoming film after all that.

A debut film Lock, Stock and Two Smoking Barrels is a discovery film. Ritchie solely wrote a fantastic screenplay, which wonderful he told as a director. A living story filmed in liked close to sepia color occurs a criminal side of London, where curious personages played by interesting people in real get in tangled and sometimes comedian situations. Guy Ritchie disclosed for the world Vinnie Jones. A scandalous footballer, whom knew only people interested in English League. Guy Ritchie revealed for the world Jason Statham, whose past acting experience can’t call three music video, where mostly he was moving his body (I can’t call all of these a dancing.). A real experience was selling fake goods on the street – a talent, which made confident the director to hire him. Statham doesn’t play in the film a special role, but it was accidental rise of gifted man, who is easy adaptable in different performances (London and my adorable Hummingbird.) and other talents as he’s learnt martial arts, what makes believe in wielding in his characters.

A second Ritchie’s film Snatch has same components till Jason Statham, who in this movie takes a lead part. Director’s criminal London still attracts. Today, I can say that it was Ritchie’s best period in everything.

In next two films, Guy Ritchie leaves what made his name associative (his story has similarities with Tarantino, which finish here.). I didn’t watch Swept Away, which is remake of Italian film Travolti da un insolito destino nell’azzurro mare d’agosto (Swept Away…by Unusual Destiny in the Blue Sea of August in English release, where I checked a first word translates as “Overwhelmed”.) and that’s film I saw. Nice drama about two different in social, politician, life experience people brought by circumstances on uninhabitant island, which erased disagreements between each other. It doesn’t need a remake, what made confident myself after watching of original.

NB. I definitely would watched Ritchie’s Swept Away if a main role he would gave to Jason Statham.

Revolver was a collaborative screenplay work of Guy Ritchie and Luc Besson, who didn’t destroy reputation even as director then. Together they made a prolonging disaster. 110 minutes of torments in this evening when I saw it on TV. I was waiting the end of this moving to nowhere a psychedelic. A scene of psychology influence of Statham, who is again in lead role, on Ray Liotta’s character, who explodes then on some criminals, is funny absurd, what everything can give in describing of movie’s screenplay. Revolver appeared in 2008 and until Cash Track – that’s the last Jason Statham’s performance in Ritchie’s flick.

Director returns to criminal London in RocknRolla with using of his famous recipe. A film collected many actors, who became famous later and just only. Gerard Butler was one, who was known and promising on that moment by 300 and he had good movies in next couple years, but that’s all folks. His character or anybody else doesn’t stuck for attention, because overloaded in this untied, overlong in time and sour screenplay, where Ritchie was repeating himself. Snatch has a hard kill Russian, RocknRolla gave two hard kill Russians, but they faint characters in contrast to splendid Boris “The Blade” in magnificent acting of Rade Serbedzija. These two Russians were tiring that they still alive. RocknRolla has nothing from the past two films of director. A title is a nickname of a character in Toby Kebbell's execution, who rudely embedded and appears in person too late and for a short time. His deletion from the story wouldn’t change it.

I was expecting a parody from Sherlock Holmes and saw offensive on Arthur Conan Doyle’s books. It was lost of Guy Ritchie’s individuality and sold to commerce. In this and it’s sequel director didn’t write a screenplay. His next flicks were launching of franchises. I didn’t watch them after what hardly to call Sherlock Holmes, because it was needless. Director’s last The Gentlemen was teasing of criminal London, which smelt of commerce.

From Cash Truck can’t expect best or just good movie. I don’t know how will change my mind to release. Maybe, I’ll buy a farm – I have no idea. The film is a remake of French movie Le Convoyeur about which I knew in announcement on film reunion of Jason Statham and Guy Ritchie. I’ve watched it. I adore French Neo-Noir of since zeroes. Usually I have not a like to flick, but watching of them gives me a crazy think that making of this ambience in DNA of every French director. France without a doubt adorns, a charm, which can’t give Los Angeles, where occurs the remake. But, as usual, who knows?

Le Convoyeur shattered on what I like, don’t like, what could be better and et cetera. I like plot’s conception about regrets in fail and when see as, for example, a beautifully filmed scene of contact of blood and green petrol.

And Jason Statham, a king of remakes (which are mostly on excellent movies.), who hasn’t a good film since 2015. He disgraced himself in cinematographic pit as in flicks with other bald guys, where only Dwayne “The Rock” Johnson gave a hope, what was in time when I was in university. So, it was a very long time ago. Of course, Johnson isn’t rival to Statham in acting and charisma. Series of commercials of “Wix” with Gal Gadot, which satisfied me and it gives an idea about collaborate them in a full-length film despite miss Israel in past isn’t an actress, but she was in Israel army and maybe something can do if hire fine men.

Yeah, what else? Please, Jason, come back!

A demo-version of Destroy All Humans! and the story how it was downloaded.

Anchor in my throat! Game downloading from GOG was doing with obstacles. I had offer of two ways to get a free demo-version of Destroy All Humans!:

1 – by browser

or

2 – by their infamous store GOG Galaxy

In the worst was better a second variant in my circumstances. Internet in the city would download 7.8 GB for few minutes, but I was in the village with a weak speed of Internet. Launching of new version GOG Galaxy acknowledged with options, which situate far from each other. I couldn’t see downloading progress in details. Demo installing had failings, which, maybe, were six times. Relaunch follows to click on the game and in the next menu press on a word “retry”. A coming night was a time to leave switched on computer for downloading. I saw destination in one gigabyte with a little at 5:55 am. Crash happened too soon.

Destroy All Humans! is a remake of the game of 2005, which was released on then consoles, what means presence of casual elements and technical limitless. Gameplay gives a fantastic for this time opportunity to play alien by whom can use telekinesis on living creatures and objects, jetpack, take guise of people and drive saucer for destroy buildings. After fifteen years on current consoles can technically make more, but THQ Nordic still works cheap and their interpretation shows only a modern computer graphics. The game is comfortable in control, what doesn’t influence on fun in playthrough. Can explode a house from a saucer’s gun, when demolish a fence is impossible. That limitless surrounds. As in original game, people and buildings have lifebars. A house will burn in fire after prolong laser shot, wait for a second and it will return to primal shape. I still going to play in whole game, but I suspect it will bore me in short terms. Yes, I’m a masochist! Are you happy?!

Destroy All Humans! wants to resemble alien B-movies of 50s, what demonstrates a title and time period, but it doesn’t feels in gameplay at least in this demo-version. Seen a good directing and voice acting makes forsaken about it. I had a little laughs in dialogs, but in the end of playing I had a drop of boredom in conversations were trying to be funny.

In the same year 2005 was appeared oriented on consoles, but was having PC release, Stubbs the Zombie in Rebel Without a Pulse is having same conception of time period and then trash cinematography in which it succeeded in creation of this aesthetics. I didn’t find information about did it has a place a benchmarking, because in this game can take people’s guise, but that’s all. It’s two different games, which have same inspiration.