Nobody

Nothing.

Il’ya Naishuller was a first who did a film from a first-person view, but there that’s the end.

I can accept it as one of versions of screenplay in which remaining scenes in draft then an ultimate version. Pace of telling is unbalanced. It strictly overloaded of family staff, which is always terrible to watch for me. Personages don’t get a time for expression. Raw pieces of usual story everywhere. Kitty Cat bracelet baffles. For what these stories of past? Bob Odenkirk don’t express them in acting. He doesn’t light in performance in telling of them. Derek Kolstad made a work with input from John Wick.
Realization of it was made in hurry and rude directing. Naishuller didn’t fix from “unprofessional”. He can’t from intended funny to make funny. Exclusion success in talented writer Kolstad who had rainy day or hadn’t time. Despondent staging of glorious fightings. Director wastes nice ideas. A flick is comfortable in track list except two Russian songs in club, because you willn’t like them if you have experience in Russian-speaking country of 90s. Nevertheless, to coming conclusion, I was thinking that I am watching a musical channel. Director’s making of scenes are examples of mistakes of filmmakers. Switching on scene to where in quiet setting invades loud sound. Concert for Piano #1 by Chaykovskiy for few seconds, which rudely cuts. What a Wonderful World by Louis Armstrong is extraneous in wacky ongoing of walked out neighbors are watching on burning house, which hadn’t reason to destroy and where first in flaming became a vinyl collection. That’s worst of Aleksey Serebryakov’s villain. I couldn’t watch it. Remake of Mechanic and it’s sequel were explainable to that barbarism (of course, in plot – not in humanism.).
Aleksey Serebryakov, he plays a typical Russian, whom usually see in Russia and rare in America, because aren’t much them (just don’t visit Brighton Beach.). You wish a death to this bad guy at first sight. And the all Russians will be killed. And Serebryakov will last. Watch an hour and half for needles self-confidence. I don’t find preciseness as in blatant acts of a main villain are possible in Russia, but not in the United States. An actor gives fountain of description to restricted in development character. However, Serebryakov is a good guy in reality, because he doesn’t like Putin. I only needed subtitles for his English. Pronouncing of Russian language almost with no trouble, because mostly are Russians (I didn’t like short presence of one unshaved of them, who tried to kill Christopher Lloyd’s hero in nursing home.). Phrases are almost match with translated in strokes. Little incorrectness as a “little coal” in Russian will a “black guy”. That character, who is a black Russian in plot speaks with an accent, which I saw in two other personages in car, but I stop to be pretentious.
Astonishing Daniel Bernhardt, Michael Ironside, Christopher Lloyd, Colin Salmon. They played in lousy movie.

Better watch implementation of seen ideas in John Wick.