Review shatters. Hitman’s Wife’s Bodyguard – 37 minutes.

Scrolling of schedule of films in somewhere of the end of the 1980s makes a supposition that, maybe, I would visit cinema for every week and I would had a cinemamania. It was another world. 

Before I was going to watch Hitman’s Wife’s Bodyguard I wrote an introduction of potential review, which I don’t considered as finished, because it needed a little bit of grammar fixing.

“I was watching materials of The Hitman’s Bodyguard and by them I didn’t find a film for watching. Humor was on ground zero. Often accent of it was on swears, which were oddly. I found awkward in watched scenes caught on TV. Ryan Reynolds was confirming again that his acting abilities can’t be beyond of secondary characters. Appeared trailer of Hitman’s Wife’s Bodyguard was watched for curiosity. It interested to see this film. Antonio Banderas knows how to give explosive fun. I decided to watch a first film. And there were of what I don’t like it. I saw more awkward scenes as Honduras sequences. Humor disability was shown in toilet jokes. I didn’t believe in skilled fighting abilities of Ryan Reynolds and Samuel L. Jackson, who actually is an excellent actor, but I don’t want to hear his “motherfucker”, which I suppose he pronounces in every R-rated film in multiple times. They don’t fit for action roles. Their fighting was execution of learnt tricks. A screenplay in itself has a potential, but needed of refining. There were moments where an author didn’t pass his laziness. Elaboration required to characters. The movie is almost two hours, which were easy and I’ve found a like to the film in further. Fine jokes appeared. And Patrick Hughes matured as a director what gets in comparison with his first flick Red Hill. And he reveals individuality. The Hitman’s Bodyguard is satisfaction in watching of creative action scenes and rapture to look on stuntmen activity on whom obviously can guess in scenes where they give toughness to Samuel L. Jackson. Eventually, I was satisfied in killing Belarusians. Finally, I get a film. Exuding of them a character in performance of Yuriy Kolokolnikov in brilliance for evoke disgusts and enriching of gladness in his slaying. I wished to watch Hitman’s Wife’s Bodyguard in a theater what was impossible for absence of original. So, I did it as usual.” 

A predisposition to watch in original evaded me from Nobody and Hitman’s Wife’s Bodyguard. And I must add that it would be crazy risky in COVID-19 to go in cinema and especially in a place, which, presumably, don’t know about virus.
A screenplay is definition of generic and I could stay it if a film would give an entertainment in shooting. A group of writers in three men did their job without diligence. A scope of sniper’s rifle do magic in seeing through walls and crowd in where can only a target for strike. It has usual thing of B-movies when events don’t tied. The Hitman’s Bodyguard finishes that Reynolds and Jackson makes good relations and a main character restores it with his girlfriend. A sequel doesn’t mention all that. It follows to installed structure of previous part multiplied to disintegration. I hadn’t pleasure in swearing Salma Hayek before, because her language is no variant in a way to do humor. Her more and words, which take twisting, more in the second film. Introduced sex jokes overtakes in frequent toilet humor, which were from initial effortless. Writers want to make laughing in mentioning of genitals in presence of nuns and small screaming Hayek running with automatic rifle. Awkwardness will rising in speed in reminding of “Hello” by Lionel Richie and using of light music in action scenes (Tina Turner’s You’re The Best is one of them.) in misunderstand of going chaos, which doesn’t make funny, unattractive to be absurd and it is impossible in taking serious. Writers would be succeed in soap opera (because I don’t watch them.). The film was similar to B-movies 70s. I wasn’t in believe to reality and I was in “don’t care regime”. Out of sluggish was phenomenal acting of Antonio Banderas whose character (in which guesses Aristotle Onassis inspiration.) could be beyond of a plain villain. 

Action scenes, which I like staging, just in little while the film has abruptly editing. Transfer between scenes in usual sudden cuts.

I don’t remember a movie where filming was in Croatia, which in Hitman’s Wife’s Bodyguard a lot of times shows as Italy, but it was of reasons why I wanted to see it.