I couldn’t disagree with Joe Pantoliano’s Marco Gentile who dropped everything what was killing him and moved to where he must to be. I would be finish with marriage and kids on his place if they don’t want to understand and respect your interests, which they mock, offense and imagine pejorative explanations to your actions. I know what I’m saying, because I did it with many contacts and few of them I had more twenty years.
But let’s about a film. A belonging place of the main character is his origin Acerenza, Italy where he was spending childhood with grandfather who had a vineyard, which returned Marco aimed to restore. I didn’t feel existence of obstacles, which haven’t reasons to present and their solutions didn’t convince. Marcello knows winemaking, but firmly sure in impossibility of revival of vineyard. A little time later, Marco comes to his home, finds and doesn’t says arguments, but Marcello changes a mind. Enzo knows how to get French oak barrels, but he retired. Snap. He expressed a wish to do it.
Delight gets instantly enchanting places, open attracting Italians and jokes, which made me laugh, but humor wasn’t constant and, perhaps, could be better if it was more in the film.
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